Further. favourite Matthew Barton, a singer-songwriter originally from Rugby, released his debut EP Queen Of England yesterday.
Containing introspective, tender reflections on masculinity, isolation and a diaristic paean to the passing of his hero Prince, Queen Of England acts like a fully-realised window into Matthew’s vivid songwriting style. Stripped back, for the most part, to his voice and guitar, the tracks here are fragile yet evocative story-like vignettes.
We spoke to Matthew about the seven tracks on the EP and the different ideas and personal inspirations that they individually represent.
In the spring I was thinking about playing live, and I wanted a rhythmic, fun, rocking song to play. That was when ‘Cruising’ began. But then of course we went into lockdown and all live shows were cancelled.
As with many of my songs, it started on acoustic and then I recorded it on electric. It’s got a tiny bit of harmonica in there and a bit of slide and harmonium. I did the vocals in the garage and a plane flew overhead during the take, but I kept it in. I hope I do get to play it live one day.
QUEEN OF ENGLAND
‘Queen of England’ was written before 2020 happened, but it seems like it was a harbinger of things to come. It is a bleak picture, but we are living in these times for real. The harmonium playing ‘London Bridge is Falling Down’ as the coda is, in my mind’s eye, a Salvation Army band at the end of the world. It’s like my song version of the This Is Fine meme.
An early version, without the guitar and autoharp, appeared on Z Tapes’ Covid compilation Hope For European Bedrooms in the Spring.
LADY JANE DAYS
During lockdown, Knifepunch Records, who are putting out the cassette version of Queen Of England, assembled a compilation of new songs – Songs To Stay Home To – the challenge being that each song had to be 100% written and recorded in quarantine. I was drawn to the autoharp and ‘Lady Jane Days’ emerged.
I was thinking about Lady Jane Grey in the Tower Of London and the nature of isolation. I recorded the vocals in my car, trying to avoid the sounds of dogs barking leaking into the recording.
The seeds of ‘Barb’ came when I was travelling in Hong Kong. I was walking along and some of the lyrics began to form; these are the moments I’m thankful to have a phone that I can just sing into, or write a note.
I was thinking about self-image, identity, ideals of masculinity… what is with the phrase “man up”” What about “woman up”?
I was in San Francisco on the day Prince died, with my friend Michael. Prince’s music filled the streets that day. ‘Alcatraz’ was the last song to come together for this EP, and the missing piece of the puzzle that I didn’t know was missing.
Another song, ‘Mamie’, was originally in its place, which you can find that on the cassette version, but there was something in ‘Alcatraz’ that demanded it be included. Just like ‘Lady Jane Days’ didn’t need to be longer, it never occurred to me to edit ‘Alcatraz’ from its seven minutes. I just let it be what it is.
Some of my favourite music has that Phil Spector sound – all 60s girl groups, Brill Building pop. I love the simplicity and the directness. ‘Judy Garland’ is my tip of the hat to that; it’s got my version of the Ronettes triple drum beat and a deconstructed surf guitar. It’s also my friend Alice’s favourite, and a fun one to play. The kitchen wall is often my Carnegie Hall, when I’m drying the dishes.
WHEN I WAS YOUNG
‘When I Was Young’ the oldest of these seven songs, and it resurfaced for me in the past year. It felt like there was something about the passing of time and this kind of nostalgic, wistful feeling. It was also the first one I finished.
I had a lot of fun layering the guitars and harmonies. I learned harmonies from listening to Fleetwood Mac records and Laura Nyro. If you haven’t got a harmony group, be your own, I say.
Queen Of England by Matthew Barton was released August 28 2020. A special cassette version is available through Knifepunch Records.
Interview: Mat Smith
(c) 2020 Further.
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