The Slowest Lift pairs together singer / guitarist Sophie Cooper with Vibracathedral Orchestral’s likeminded sonic experimentalist Julian Bradley. Third album Plutonic Shine finds their respective inputs – mournful, questing vocals, freeform electric guitar, murky synth passages – draped in a cloying, impenetrable distortion haze.
The effect on a track like ‘The Birds Float The Slowest’ is to leave you feeling gloriously disoriented. Starting with a looped electronic pulse, layers of guitar textures and clanging, overlapping riffs are allowed to growl and feed back freely while, at the centre of everything, Cooper offers a processed vocal line that is simultaneously both mesmerising and terrifying. The effect is akin to being willingly imprisoned inside some cavern of irrepressible, joyous noise.
Elsewhere, ‘Take Off Your Badge’ proceeds on whiny low-end synth melodies and washes of grimy fuzz with a vocal that is both sensual and cryptic, while ‘Sage Reach’ offers up a gently undulating fabric of interwoven drones to reach an absorbing, intricately-developed transcendence. ‘I’m Born’ is perhaps the chilling highlight of the brilliant nine tracks, its chilling, murky tonality, stentorian vocal refrains, splinters of unpredictable sound and an insistent, submerged rhythm sounding not unlike a new and harrowing take on Sonic Youth circa ‘Halloween’.
Plutonic Shine by The Slowest Lift was released on August 2 2019. A vinyl edition will be released by Feeding Tube later in 2019.
Words: Mat Smith
(c) 2019 Further.
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