Listening Center is the project of Beacon, NY electronic musician David Mason, and Diaphanous Structures is the follow-up to last year’s Retrieving.
Where Retrieving was an album that managed to straddle the elastic explorations of 1970s Moog excursions and the fragile architecture of 1981-vintage synthpop, Diaphanous Structures is a much more meditative exercise. Built, for the most part, on delicate, almost wistful layers of gentle, swaying electronics, these eleven pieces nevertheless proceed with a sense of purpose, sidestepping any notion of directionless musing on the part of Mason.
Devoid of beats and obvious rhythms, pieces like ‘Sapling Three’ rely on a languid form of forward motion, buzzing with latent energy and overlapping, effervescent arpeggios. With the addition of soft reverb and subtle modulations and a coda filled with urgent bass sequences, these pieces take on a melodic intricacy without ever sounding anything other than minimalistic.
Elsewhere, ‘Concentric Circles’ carries a gauzy, melancholic edge, the sparsest of patterns creating a stirring, heart-wrenching micro-masterpiece, while ‘A Torn Hedge’ ripples with a brooding mystique and sense of compelling danger; what can Mason see through that hedge? What lies just behind its frontier? Was that tear placed there precisely to permit a voyeuristic glimpse of something elusive?
The album is punctured by three short, sub-one minute vignettes, wrapping complete and intense emotion in the briefest of statements. While ‘Sad Center’ has a profoundly moving quality, the wonderful ‘Interior Hue’ is a classically-leaning piece nodding contentedly in the direction of early electronic albums and the long shadow cast by their innovative sound palettes.
Diaphanous Structures by Listening Center was released April 9 2020 by Temporary Tapes.
Words: Mat Smith
(c) 2020 Further.
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