“In late 2004, after years of intense math calculations, four men determined the world wasn’t weird enough and decided to encase themselves in spray-painted fibreglass. They picked up some musical instruments, wrote a few songs and took to the road in an effort to generate a maniacal cyclone of fun and jubilation amid the cold thundering machine of life.” – The Killer Robots! biography.
I’m not sure how I never heard about The Killer Robots!, a ‘theatrical rock band’ from Orlando, FL where the band members wear huge robot costumes. They seem like a lot of irreverent fun, though I think you have to be a huge nerd to fully appreciate them; or maybe, given their predilection for on-stage pyrotechnics and tongue-in-cheek sci-fi-isms, you just need to be a fan of Muse.
Too big a concept to concentrate solely on music, The Robots seemed predestined to find a route into film. In 2016, they released their second movie (the first was called The Killer Robots And The Battle For The Cosmic Potato – yes, you did read that correctly). Co-opting the name from one of my favourite robot flicks from my youth, Crash & Burn was a B-movie-style adventure that followed the Robots as they tried to eliminate various nefarious villains in increasingly goofy chapters that was more like watching someone successfully playing a computer game than a traditional movie. The movie was started in 2010 and delivered on an amazingly small budget. The result was both deftly humorous but also, in its own inimitable way, a faithful tribute of sorts to the earliest sci-fi movies.
Killer Robots’ bassist founder Sam Gaffin, who put most of the film together single-handedly over five years, wrote a brilliant electronic score for the film that has now finally been made available through Bandcamp.
Containing 27 mostly short cues, Gaffin’s music is luridly vivid, with pieces like ‘Fury Of The Robots’ and ‘Prepping For Battle’ consisting of big orchestral melodies reminiscent of Eastern European military parade-ground demonstrations, mixed in with some tasty Neubauten-esque metal bashing. Befitting the rapid scene changes of the movies, most of these cues deliver a lot of intense action in a short space of time, their ideas being allowed to reach prominence before concluding rapidly. ‘Trog Goes Clubbing’ is a brilliant slice of futuristic techno, while ‘Max Talks Smack’ is determined electropunk, fusing rolling post-punk drums and a central electronic bassline that acts as the missing link between oompah music and Deutsch Amerikanische Freundschaft.
The concluding piece here, ‘Surfing On Space Junk’ sends the album out on a bang. Beginning with some eerie, theremin-esque wailing, the track suddenly opens out into a euphoric sequence of fizzy melodies and hi-NRG hooks that feels like you’re careering wildly through space, only just on the edge of control.
The Killer Robots! Crash & Burn OST by The Killer Robots! was released October 9 2020.
Words: Mat Smith. With thanks to Espen.
(c) 2020 Further.
Note: an earlier version of this post appeared at documentaryevidence.co.uk in 2016