The Bassturd feat. The Fantastic Plastics – What Even Is A Christmas Anyway?

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When is it appropriate to stop listening to Christmas songs in the twilight period between December 25 and New Year? In our house, it’s only about now that we start going back to our old playlists, still slipping in the odd cheeky spin of a few festive Christmas classics if it feels like the seasonal spirit might be in danger of slipping away from us.

This is a long way of justifying why I’m only just getting around to writing about ‘What Even Is A Christmas Anyway?’, a collaboration between The Fantastic Plastics and The Bassturd which forms part of the latter’s dizzyingly ambitious project 2019: The Year Of The Turd, which saw the secretive and industrious musician releasing a new track every single day in 2019. This track was number 337. Details on the full project can be reached through the Bandcamp stream below.

I didn’t do a rundown of my favourite albums of 2019, but if I had, The Fantastic Plastic’s sublime Malfunction from October would have been right up there near the top. I’ve followed this band since they first got in touch with me hawking their debut album Devolver in 2015 and their mix of high-energy pop, jagged guitars, retro synths and punky vocals has been a staple part of my listening diet ever since. As for The Bassturd, according to the bio, “The Bassturd was born, and now occasionally plays music. He does not care for deep house or cucumbers. Influences include alcohol, cigarettes, psilocybin and cats.” So there you go: not one for cucumber fans.

‘What Even Is A Christmas Anyway?’ consists of brilliant, effortlessly evocative one-note synth melodies, obligatory jingle bells, an unexpected banjo conclusion and a chunky beat, all infused with a certain lo-fi charm. Topping that is the kind of infectious, wry and adept observational lyrics that Tyson and Miranda from The Fantastic Plastics have made their own, the lyrics covering everything from the disappointment at never getting kissed under the mistletoe to the perpetually-overheard statement that people seem to start putting their decorations up ever earlier with each passing year. At its heart, the song is a deft commentary on the over-commercialism of the modern Christmas, dressed, as The Fantastic Plastics know best, as a smart electronic pop song.

Listen to ‘What Even Is A Christmas Anyway?’ at Bandcamp below.

Words: Mat Smith

(c) 2019 Further.

The Fantastic Plastics – Malfunction

Recorded over a period of two years at their brilliantly-monikered CoCo Beat Studios in Brooklyn, Malfunction is the follow-up to The Fantastic Plastics’ 2015 debut album, Devolver. As with that first record, the order of events here is hyperactive tracks threaded with spiky guitar riffs, buzzing synths and chunky drums that offer up a futuristic vision of pop drawing a line back to the most effervescent and innovative moments of electrically-infused post-punk.

From the energetic forward motion and symbolism of ‘Numan’ (with its general nod in the direction of the erstwhile Gary Webb and possibly Wayne Knight’s annoying character in Seinfeld) to the insistent high-speed glam-punk of opening track ‘Disintegration’, Malfunction is (mostly) an upbeat record. The harmonic interplay between the band’s Tyson Plastic and Miranda Plastic has a gleeful charm, even if their outwardly euphoric tracks appear to mask a general cynicism at the state of the world today. The effect, on the sinewy, Cars-y ‘Telephone’ or the feisty political grandstanding of ‘Disconnect’ – a thinly-veiled bash at a certain high profile abusing the freedom of social media – is slightly disorienting: here you are, pogo-ing around like a complete lunatic, and then when you start to focus in on the lyrics, you realise you’re actually hearing a cheerful protest song.

The frantic pace drops just twice, once on the charming space-age instrumental vintage synth interlude ‘Neon Satellite’ and again – briefly – with the jangly guitar intro to the otherwise perky ‘Bad Day’. The latter has a brilliant, cutesy quality that wouldn’t go amiss on a kids’ TV show, even if its theme – about either being chronically hungover or clinically depressed – sit slightly uncomfortably with the joyous ‘la-la-la’ing and generally upbeat mood of Miranda’s delivery.

The standout track here, ‘Evacuate’, finds Tyson doing a brilliant impersonation of Phil Oakey’s leaden delivery, its lyrics and insistent guitar riffery urging us to get the hell out of dodge before the world ends. That it ends suddenly with a brief, dissonant electronic tone suggests we didn’t quite make it, but if this album was the last thing you heard before the world ended, frankly it doesn’t seem like the worst way to go.

Malfunction by The Fantastic Plastics was released October 4.

Words: Mat Smith

(c) 2019 Further.