Stuart McLean’s Bibliotapes cassette label is focussed on curating imaginary soundtracks for books. For its second release, Swiss electronic musician and soundtrack aficionado Rupert Lally has chosen to create a soundtrack to accompany John Wyndham’s 1951 sci-fi novel The Day Of The Triffids. Lally himself is no stranger to this concept, having previously delivered imagined soundtracks to J.G. Ballard’s High-Rise, a score that gave Clint Mansell’s music for the 2015 film a good run for its money.
Given the harrowing, apocalyptic subject matter of the book, it goes without saying that the tone here is resolutely gloomy. Using an array of synths, Optigan and Mellotron loops and instruments like flute, Lally’s cues are dark and occasionally oppressive, full of lurking dread and inescapable destruction. The use of a jaunty Optigan loop on ‘The Coming Of The Triffids’ provides a brief moment of levity before its wonky music hall leanings are quickly rearranged once more into nightmarish drones and murky tones. Moments like ‘Shadows Before’, ‘Shirning’ or ‘…And Further On’ range from near orchestral atmospherics to ephemeral, dread-inspiring low-frequency tension. It is this unpredictable, haunting variety of sounds that marks this out as arguably Lally’s most definitive statement to date.
The Day Of The Triffids by Rupert Lally was released by Bibliotapes on April 17 2019. All fifty of the cassettes are now sold out but the tracks will be available at Lally’s Bandcamp page from April 23 – rupertlally.bandcamp.com
Words: Mat Smith
(c) 2019 Further.
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