I need to learn how to relax.
I know this because when I listened to the title track from Swiss-based electronic artist Rupert Lally’s Visions EP, I began to get very stressed and unsettled, and not remotely meditative. There is an irony to this – the track floats forth on beatific pads and dreamy harmonies while a soothing, reassuring voice talks you through the process of entering a hypnotic state. By rights, with the way that track is set up, you should – by the time the narrator has concluded his lesson – be feeling completely at peace, just in time for Lally to swoop in with a sequence of crushing beats that completely disrupt the peace and jerk you out of that transient state. Or not, if you’re me, but I’m working on that.
“My week beats your year,” lamented Lou Reed; in Lally’s case, his year undoubtedly beats your decade, since calling his output prolific sells him significantly short. Since I covered the Day Of The Triffids and Dune soundtracks for Bibliotapes here back in 2019, he has released albums on Spun Out Of Control and Third Kind, contributed to Wormhole World’s excellent Retrophonica – Aetheric Transmissions project, Patch Bae’s Help Musicians compilation, has an album prepped for Neil Stringfellow / Audio Obscura’s 20×20 imprint and another for Modern Aviation, as well as other albums completed and ready for release later in the year. Maybe the inclusion of the hypnotic voice on the first track of Visions is intended for Lally himself…
Visions consists of five tracks blended into one, each spinning on its own unique sonic axis. ‘Induced’ is among the more robust of Lally’s tracks, juddering forth on a grid of beats that seem to follow a restless, jerky, randomised pattern that isn’t dissimilar to how my mind was racing on the first track. ‘Veils’ occupies a similar space, only the brilliant chaos comes through electronic sequences, pulses and passages that feel like they’ve been sliced and spliced with a razor, creating a frantic sense of disquiet.
‘Mirage’ has the widescreen, cinematic grandeur that charcterised Lally’s fantasy scores for Day Of The Triffids and Dune, full of danger, mystique and unfolding drama, while closing track ‘Exit’ is less an exit and more an entry point into a glistening landscape of ethereal textures and somnambulant drifting.
Visions by Rupert Lally is released on May 1 2020 through Bandcamp, who will be waiving artist fees again on May 1 2020 to support their musician community worldwide. Access Rupert Lally’s Bandcamp back catalogue here.
Words: Mat Smith
(c) 2020 Further.