Various Artists – Latibula

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Latibula is Marionette’s first label compilation, offering a window into the eclectic artists who call the label home as well as providing a sneak preview of where the Toronto-based imprint might go next. All proceeds from the digital compilation will go to Médicins Sans Frontières.

Sans frontières is also an apt way of describing Marionette’s approach. The label was founded in 2013 and swiftly made a mark through releasing complex electronic music that was unafraid of borders, genre limitations or jaded notions of purism, with most releases given their own visual identity by label stalwart Benjamin Kilchhofer. The Basel-based electronic adventurer has released four distinctive solo and duo releases for the label over the past few years, each one characterised by his approach to fusing modular sound design with acoustic instruments. Kilchhofer’s ‘Kloen’ is one of the natural highlights of this collection, led by a synth sequence that feels more like a soprano saxophone line than something that might have emerged from a nest of writhing patch cables.

Elsewhere, musician and instrument builder Pierre Bastien follows up last year’s playful Tinkle, Twang ‘n Tootle with ‘4hands 1breath’. A collaboration with jazz drummer Steve Argüelles and pianist Benoît Delbecq, the piece includes Bastien’s pocket trumpet played through running water against a backdrop of abstract percussion and wandering piano. Another brilliant Marionette release from last year was Giraffe’s Desert Haze, which found the Hamburg trio tapping into German rock reference points from Can to Manuel Göttsching; the trio follow that up with the brilliant ‘Lines Across The Still’, a mellow exploration of wavering melodies, stuttering guitar and polyrhythmic percussion.

One of the most interesting pieces here is ‘Serpentina’ by another Basel-based musician, Marco Papiro. Papiro is a fan of vintage kit, as evidenced across the many albums he’s released to date, but he’s also a DJ, and that tends to mean his tracks are infused with a sense of motion and finely-controlled tension. The brief ‘Serpentina’ is perhaps the most outwardly electronic track here, rolling forth on springy sounds and simple chiming, expressive melodies that feel like they belong in a pivotal scene in an 80s teen movie.

Papiro’s piece slots in alongside other hidden gems from Twinkle3 (Richard Scott, David Ross and Clive Bell), MinaeMinae, Julian Sartorius, Soundwalk Collective and others, pointing to a vibrant future release schedule for Marionette.

Latibula is released by Marionette on May 1 2020 through Bandcamp. Find Marionette at Bandcamp here.

Words: Mat Smith

(c) 2020 Further.

Further. : Quarterly Report Q1 2019 & Playlist

Further. launched in January 2019. Its objective was to create a place where I could review things that caught my attention but which didn’t ‘fit’ Documentary Evidence, or where I didn’t get to cover that particular release for Electronic Sound.

During the first quarter of the year I reviewed 15 albums or singles, published one interview, and included a guest review written by Erasure’s Vince Clarke. It was a modest start to the blog, a testing of the water if you will. I will try harder during the second quarter.

Below is the full list of content published during the first quarter. There’s also an accompanying Spotify playlist including tracks from each record (where available on that platform), along with ‘Gallery’ by Californian electronic pop artist Dresage which completely passed me by at the time.

Reviews

Kaada – ZombieLars (Soundtrack) (Mirakel Recordings)
Kamaal Williams – New Heights / Snitches Brew (Black Focus Records)
The Silver Field – Rooms (O Genesis)
TOTM – Bliss / Blurred (Flickering Lights)
Karolina Rose – Invicta (Violet Sunset Records)
Neu Gestalt – Controlled Substances (Alex Tronic Records)
Lucy Mason – Flashback Romance (self-released)
Hugh Marsh – Violinvocations (Western Vinyl)
Bayonne – Drastic Measures (City Slang)
Modular Project – 1981 (hfn music)
Evelyn Glennie/ Roly Porter – One Day Band 17 (Trestle Records)
Maja S. K. Ratkje – Sult (Rune Grammofon)
d’Voxx- Télégraphe (DiN) – reviewed by Vince Clarke
Kilchhofer / Anklin – Moto Perpetuo (Marionette)
Jonteknik – Electricity (The People’s Electric)

Interview
The Silver Field

Playlist
Spotify

Words: Mat Smith

(c) 2019 Further.

Kilchhofer Anklin – Moto Perpetuo

Over the past few years, Swiss electronic artist Benjamin Kilchhofer has quietly issued some fantastically interesting releases, culminating in last year’s eclectic and diaristic The Book Room for Toronto’s Marionette label. For Moto Perpetuo, Kilchhofer hooked up with Michael Anklin, whose adaptable drumming could be found on The Book Room. This session saw Kilchhofer sensitively interacting with his collaborator’s kit, using his modular system to augment and alter the varied percussive sounds that Anklin offered.

The result is a release containing seven idiosyncratic pieces that sit squarely between some of the most intricate of improvised music and adventurous, carefully-wrought electronics, with the results ranging from robust blocks of challenging sound to more complex, more meditative excursions. Throughout, there is a sense of Kilchhofer allowing Anklin to wander freely, sometimes adding obvious accompaniment and at other times being content to add subtle interventions that never detract from the underpinning structure.

The finest moments on this engaging collection arise on the skittish, unpredictable gestures of ‘Flor’ or the brooding, gloomy synthwork of ‘Unstet’. Like Benjamin Kilchhofer’s 2017 pairing with Hainbach, there’s a sense of this being a mere glimpse of the potentially infinite permutations possible from these intense interactions with Michael Anklin.

Moto Perpetuo by Kilchhofer Anklin is released by Marionette on March 15 2019.

Words: Mat Smith

(c) 2019 Further.