Further. : Quarterly Report Q1 2019 & Playlist

Further. launched in January 2019. Its objective was to create a place where I could review things that caught my attention but which didn’t ‘fit’ Documentary Evidence, or where I didn’t get to cover that particular release for Electronic Sound.

During the first quarter of the year I reviewed 15 albums or singles, published one interview, and included a guest review written by Erasure’s Vince Clarke. It was a modest start to the blog, a testing of the water if you will. I will try harder during the second quarter.

Below is the full list of content published during the first quarter. There’s also an accompanying Spotify playlist including tracks from each record (where available on that platform), along with ‘Gallery’ by Californian electronic pop artist Dresage which completely passed me by at the time.


Kaada – ZombieLars (Soundtrack) (Mirakel Recordings)
Kamaal Williams – New Heights / Snitches Brew (Black Focus Records)
The Silver Field – Rooms (O Genesis)
TOTM – Bliss / Blurred (Flickering Lights)
Karolina Rose – Invicta (Violet Sunset Records)
Neu Gestalt – Controlled Substances (Alex Tronic Records)
Lucy Mason – Flashback Romance (self-released)
Hugh Marsh – Violinvocations (Western Vinyl)
Bayonne – Drastic Measures (City Slang)
Modular Project – 1981 (hfn music)
Evelyn Glennie/ Roly Porter – One Day Band 17 (Trestle Records)
Maja S. K. Ratkje – Sult (Rune Grammofon)
d’Voxx- Télégraphe (DiN) – reviewed by Vince Clarke
Kilchhofer / Anklin – Moto Perpetuo (Marionette)
Jonteknik – Electricity (The People’s Electric)

The Silver Field


Words: Mat Smith

(c) 2019 Further.

Lucy Mason – Flashback Romance

Think of Flashback Romance as hotly-tipped singer Lucy Mason concluding some unfinished business: four of the nine tracks on Mason’s debut LP appeared last year, including her fragile re-rendering of Radiohead’s ‘High And Dry’ and the sparse, dreamy, glacial build of ‘Out Of The Blue’ that achingly opens the record.

Produced with Jess Ellen, Mason might have perfect pop poise – a voice that could melt the heart of even the stoniest disposition and songs that nod to both soulful quarters and the casually anthemic – but her conceit is to wrap emotional outpourings like the mournful ‘3am’ in delicate arrangements enriched by vintage analogue synth warmth, hazy reverb and atypical rhythms.

‘Sunday’ is a profound highlight at the album’s centre. Here, Mason’s voice carries a flat, regretful quality draped with echoing piano and a barely-there architecture of beats that opens out unexpectedly into a buzzing electronic pop conclusion blessed by an irrepressible, muted rapture. The album concludes with ‘Kids That Night’, the curious highlight of the tracks that appeared last year. The song is beautifully, cruelly, affecting, offering a wistful view back into carefree days of innocence before life got in the way and heaped unwanted responsibilities on your callow shoulders.

Flashback Romance by Lucy Mason is self-released on February 15 2019.

Words: Mat Smith
(c) 2019 Further.