Takahiro Mukai – Paraponera Clavata


Prolific doesn’t come close: with forty releases to his name since arriving in 2014, Osaka’s Takahiro Mukai makes everyone else’s output seem, well, pretty amateur. His latest album for UK cassette imprint Cruel Nature continue’s Mukai’s exploration of a refracted, splintered form of electronic music, one principally informed by the limitless pulses and twitches of minimal techno but nudged toward its expansive, borderless frontiers. To be able to deliver this level of output and still produce something that’s consistently engaging without continually repeating yourself is Mukai’s principal conceit.

The tracks here range from the insectoid scratching of ‘#207’ to the crazy elasticity of ‘#210’, through to the robust rhythms of ‘#211. You get the impression that it would be all too easy for Mukai to settle into the predictable beats and tropes associated with the thirty plus year legacy of techno, and tracks like ‘#218’ carry an energy and urgency that is perpetually on the edge of coalescing into something firmer. ‘#212’ has a skittish, irrepressibly elusive quality with sounds that seem to spring at you from obscure angles, while ‘#214’ sounds like a malfunctioning machine trying to pick up any trace of a signal on some barren alien landscape.

Paraponera Clavata by Takahiro Mukai is out now on Cruel Nature Records.

Words: Mat Smith

(c) 2019 Further.

Further. : Quarterly Report Q1 2019 & Playlist

Further. launched in January 2019. Its objective was to create a place where I could review things that caught my attention but which didn’t ‘fit’ Documentary Evidence, or where I didn’t get to cover that particular release for Electronic Sound.

During the first quarter of the year I reviewed 15 albums or singles, published one interview, and included a guest review written by Erasure’s Vince Clarke. It was a modest start to the blog, a testing of the water if you will. I will try harder during the second quarter.

Below is the full list of content published during the first quarter. There’s also an accompanying Spotify playlist including tracks from each record (where available on that platform), along with ‘Gallery’ by Californian electronic pop artist Dresage which completely passed me by at the time.


Kaada – ZombieLars (Soundtrack) (Mirakel Recordings)
Kamaal Williams – New Heights / Snitches Brew (Black Focus Records)
The Silver Field – Rooms (O Genesis)
TOTM – Bliss / Blurred (Flickering Lights)
Karolina Rose – Invicta (Violet Sunset Records)
Neu Gestalt – Controlled Substances (Alex Tronic Records)
Lucy Mason – Flashback Romance (self-released)
Hugh Marsh – Violinvocations (Western Vinyl)
Bayonne – Drastic Measures (City Slang)
Modular Project – 1981 (hfn music)
Evelyn Glennie/ Roly Porter – One Day Band 17 (Trestle Records)
Maja S. K. Ratkje – Sult (Rune Grammofon)
d’Voxx- Télégraphe (DiN) – reviewed by Vince Clarke
Kilchhofer / Anklin – Moto Perpetuo (Marionette)
Jonteknik – Electricity (The People’s Electric)

The Silver Field


Words: Mat Smith

(c) 2019 Further.