3 Questions: FRUM


FRUM is the electronic pop project of Jenny Augustudóttir Kragesteen. Hailing from the Faroe Islands, an archipelago of nearly twenty islands between Iceland and Norway in the Atlantic, Kragesteen has quietly issued a handful of singles over the past couple of years that highlight her dreamy, gently heartfelt approach to pop.

Her latest single, ‘Ocean’, follows on from last year’s anthem to defiant individualism, ‘Beat’, a song that played with the rhythms and textures of R&B and hip-hop intersected by a buzzing synth riff and deceptively uplifting chorus. ‘Ocean’ finds FRUM racing headlong into euphoric territory again, blending springy electronics, chunky beats and a carefree, swirling vocal together in a mesmerising displaying of summery, emotional pop songwriting prowess.

FRUM’s debut album is expected to land in 2020.

What is your earliest memory?

I sometimes feel like I can remember when I was in my mother’s womb but I know that’s not true – I just wish it was. It’s actually probably when I was two or three years old, sleeping on my mother’s chest or maybe sitting outside on a swing, looking at the blue sky.

What’s the best piece of advice anyone’s given you?

Be honest.

When are you most productive or inspired?

Definitely when I’m out in open nature. I get overwhelmed by a powerful feeling that everything is a part of everything and that I am somehow connected to it. I’m also quite productive when I’m sad and when I feel lonely. Being creative always makes me feel better.

‘Ocean’ is out now on hfn music. Listen to ‘Ocean’ at Spotify.

Interview: Mat Smith

(c) 2019 Further.

Further. : Quarterly Report Q1 2019 & Playlist

Further. launched in January 2019. Its objective was to create a place where I could review things that caught my attention but which didn’t ‘fit’ Documentary Evidence, or where I didn’t get to cover that particular release for Electronic Sound.

During the first quarter of the year I reviewed 15 albums or singles, published one interview, and included a guest review written by Erasure’s Vince Clarke. It was a modest start to the blog, a testing of the water if you will. I will try harder during the second quarter.

Below is the full list of content published during the first quarter. There’s also an accompanying Spotify playlist including tracks from each record (where available on that platform), along with ‘Gallery’ by Californian electronic pop artist Dresage which completely passed me by at the time.


Kaada – ZombieLars (Soundtrack) (Mirakel Recordings)
Kamaal Williams – New Heights / Snitches Brew (Black Focus Records)
The Silver Field – Rooms (O Genesis)
TOTM – Bliss / Blurred (Flickering Lights)
Karolina Rose – Invicta (Violet Sunset Records)
Neu Gestalt – Controlled Substances (Alex Tronic Records)
Lucy Mason – Flashback Romance (self-released)
Hugh Marsh – Violinvocations (Western Vinyl)
Bayonne – Drastic Measures (City Slang)
Modular Project – 1981 (hfn music)
Evelyn Glennie/ Roly Porter – One Day Band 17 (Trestle Records)
Maja S. K. Ratkje – Sult (Rune Grammofon)
d’Voxx- Télégraphe (DiN) – reviewed by Vince Clarke
Kilchhofer / Anklin – Moto Perpetuo (Marionette)
Jonteknik – Electricity (The People’s Electric)

The Silver Field


Words: Mat Smith

(c) 2019 Further.

Modular Project – 1981

The sixth volume of hfn’s Sisters & Brothers series comes from Modular Project, a duo of Italian producers Alberto Iovine and Alessandro Fumagalli. With a title referencing a pivotal year for the development of electronic pop, and wrapped in a sleeve praising the keep fit fads of yesteryear, it probably comes as a surprise to absolutely nobody that Iovine and Fumagalli are fans of 80s synth music.

And so it is that the three tracks here nod firmly in that direction. The title track, a brief, 90-second , beatless progression through stalking bass synths and winter-crisp melodies is like an abandoned demo from a particularly meditative Kling Klang studio session.

‘Past Present Future’ finds the duo offering a steady, immovable web of quiet tones, fuzzy guitar samples and vocoders, hitching all of that to early drum machine rhythms. Taken together, it makes for a hypothetical imagining of how techno minimalism might have sounded had it been created forty years ago. ‘Freshback’ takes a similar approach but from a firmer starting position, with heavier beats, a nagging bass line and a squelchy, elastic pattern that flutters and gyrates around and through the whole track like the blades of Stringfellow Hawke’s Airwolf.

1981 – Sisters & Brothers Vol. 6 by Modular Project will be released by hfn music on February 22 1981, sorry, 2019.

Words: Mat Smith
(c) 2019 Further.